Object number1987.4.4

Lady Madonna

Date1972

Artist Audrey Flack (American, 1931- 2024)

Publisher Shorewood Atelier, Inc. (New York)

CultureAmerican

MediumLithograph and screenprint

EditionEdition 2 of 150

DimensionsImage: 34 x 24 in. (86.4 x 61 cm)

Credit LineGift of Dr. Samuel S. Mandel

On View

Not on view

Period20th c

Classification(s)

SignedOn recto, signed lower right: Audrey Flack

InscribedOn recto, by artist, lower right: 2/150

Vassar Exhibitions

Care Everywhere: Photography and Print as a Lens on Care

Label TextSpirituality and religion can be a realm in which one receives and gives care. Often, care manifests in spiritual spaces through communal worship or through praying for the wellbeing of others. There can also be an exchange of care between the living and the dead, and more personal forms of devotion to a higher power through the use of votives and offerings. Both Manuel Álvarez Bravo and Audrey Flack explore the theme of religious devotion. Bravo’s photograph depicts an Indigenous Mexican votive offering, while Flack’s print shows a weeping Madonna she encountered at the Cathedral of Seville in Spain. Both artists represent figures or objects used for worship. Bravo’s use of light and shadow creates a stark contrast to highlight the careful beadwork and stitches of the votive offering, while Flack focuses on a figural subject, using rich colors to adorn and highlight the Madonna. In many religions, worshipers offer candles, flowers, and other items as votive offerings, hoping for their prayers to be answered. Making an offering in the hope of having a prayer answered represents an exchange of care. Even prayer itself may serve as an act of care; one may pray for their own wellbeing or that of another person—offerings may also be made in place of or for another person. Care is then reciprocated when the worshiper’s prayer is answered.

DescriptionA bust-length depiction of the Virgin Mary with tearing dripping down her face and adorned with a golden crown and golden rays. She is veiled in a pinkish-white garment with lace-like patterning and green jewels lifting off the fabric. A gold medallion lays atop her chest and underneath is written "ESPERANZA" with a small circle of red below.

Terms

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email loebcollections@vassar.edu