Object number1983.16.6
Berenice Abbott in her Maine Studio
Date1981
Artist
John Loengard
(American, 1934-2020)
CultureAmerican
MediumGelatin silver print
DimensionsImage: 12 15/16 x 8 3/4 in. (32.86 x 22.23 cm)
Sheet: 14 x 11 in. (35.56 x 27.94 cm)
Sheet: 14 x 11 in. (35.56 x 27.94 cm)
Credit LineGift of the artist
On View
Not on viewPeriod20th c
Classification(s)
InscribedOn verso, in unidentified hand, upper center in pencil within stamp: 81; outside of stamp: 5/5 / DP; right center edge: Abbott; lower left corner: 13" x 8 3/4"
MarkingsOn verso, stamped upper center in red ink: Copyright © 19__ John Loengrad, / not for reproduction
ProvenanceGift of the artistLabel TextThis portrait of Berenice Abbott presents a woman who is entirely in command of her studio space. Innovative and adventurous with her photographic practice, Abbott was a key figure of the straight documentary movement of the twentieth century. She captured the world in sharp detail, seeking realism rather than choosing to manipulate or enhance her photographs. Her appraising expression in this image is suggestive of her keen eye for detail and her perceptiveness. Although Abbott is seated and unmoving in this portrait, the triangular shape created by her body serves to activate the composition. Her central placement in the photograph further adds to the impression that Abbott is the dynamic force of this artistic environment. Abbott moved from New York City to Maine in 1968, following the death of her longtime partner Elizabeth McCausland, with whom Abbott lived for thirty years. When speaking about her work, Abbott said, “reality contains unparalleled beauties.” John Loengard was evidently inspired by this outlook: the beauty in this photograph of Abbott lies in its authenticity and frankness.
DescriptionBlack and white image of a tall older woman in an interior, Berenice Abbott, seated on a stool with her arms crossed and feet in a wide stance. She looks directly at the camera and wears a long herringbone coat. Behind her is a wood burning stove, posters of her photographs, and an open area likely with stairs descending.
Object information is a work in progress and may be updated as new research findings emerge.
To help improve this record, please email
loebcollections@vassar.edu
John Loengard
1981
Culture: American
