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Apsáalooke Roses
Apsáalooke Roses
Object number2024.26.6

Apsáalooke Roses

Date2015
Artist (Apsáalooke, born 1981)
CultureApsáalooke
MediumInk jet prints mounted on color lithograph
EditionEdition Bon a Tier of 12, plus 2 artist’s proofs, 2 printers’ proof, 2 publisher proofs, and 1 color trial proof
DimensionsImage: 18 x 26 in. (45.7 x 66 cm)
Credit LinePurchase, gift of Mrs. Frederick Ferris Thompson, by exchange
On View
Not on view
Period21st c
Classification(s)
SignedOn recto, signed lower right corner in pencil
InscribedOn recto, by artist, lower left corner in pencil: BAT; lower middle edge: Apsáalooke Roses; lower right corner: [signature] '15. On reverse, by unidentified hand, lower left corner in pencil: SOMSAT Wh / CSP 15-103
MarkingsOn recto, blindstamped left corner: Crow's Shadow Institute of the Arts logo; lower right corner: printer's chop
Vassar Exhibitions
Label TextTwo portraits unfold across thirty years: Wendy Red Star and her daughter Beatrice, photographed at identical ages, attending Crow Fair in elk-tooth dresses, elaborate with beadwork. Their synchronized appearance in ceremonial regalia reflects traditional Apsáalooke styling shared across generations of women. The rose motifs threading the background reference Red Star’s grandmother, Iikua Biluxbakush “Self-Reliant” (Amy Bright Wings Red Star), celebrated for her rose appliqué and beadwork mastery. Red Star’s practice centers on reclaiming visual narratives of Apsáalooke culture through contemporary photography. Where historical photography depicted Apsáalooke life in monochrome as disappearing culture, Red Star’s vibrancy insists on cultural transmission as a cyclical living practice.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email loebcollections@vassar.edu
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