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Object number2023.4.1

Vénus Bleue (La Vénus d'Alexandrie) (S 41)

Date1962
Artist (1928 - 1962)
Publisher (Geneva, 1961 - 1997)
CultureFrench
MediumPlaster cast with pigment (International Klein Blue) and resin, cast 1982
EditionEdition 193 of 300, plus 50 hors de commerce
DimensionsOverall: 26 3/4 x 11 5/8 x 11 1/2 in. (67.9 x 29.5 x 29.2 cm)
Credit LineBequest of Lynn Gross Straus, class of 1946
On View
Not on view
Period20th c
Classification(s)
InscribedBL of proper L leg: 193 / 300
MarkingsStamped on underside of proper R leg: VÉNUS BLEUE de Yves Klein; Exemplaire No. 193 / 300; Editions Galerie BONNIER GENÈVE; Réalisation Jean-Paul LEDEUR Paris. Stamped on BL of proper L leg with embossed star/sun
BibliographyJean-Paul Ledeur S41 Pierre Restany, Yves Klein, New York, 1982, p. 204 Yves Klein, exh. cat., Oslo, 1997, p. 79, no. 66 Nicolas Charlet, Yves Klein, Paris, 2000, p. 231 Yves Klein, La Vie, la vie elle-même qui est l'art absolu, exh. cat., Nice, 2000-2001, p. 183
Vassar Exhibitions
Label TextFirst there is nothing, then there is a deep nothing, then there is a blue depth. —Gaston Bachelard, quoted by Yves Klein in “The Evolution of Art Towards the Immaterial,” lecture at the Sorbonne, June 3, 1959 Cast posthumously after Yves Klein’s original, this Venus realizes his quest for “the most perfect expression of Blue.” Klein developed International Klein Blue through synthetic resin binding, creating surfaces that actively radiate color. Applied to plaster reproductions of canonical sculptures, his pigment operates as what he termed the “refinement of sensibility in the first material state,” transforming familiar forms into vehicles for pure chromatic encounter. This work belongs to a series of classical reproductions Klein covered in his signature blue. Based on the famous Venus de Milo, the blue surface softens the sculpture’s original details while making it instantly recognizable as Klein’s work: a meditation on color, presence, and how we see familiar forms.
DescriptionA nude female torso including the upper portion of her right arm and thighs modeled in a classical style and covered in Klein's signature blue pigment. The texture of the surface with the pigment creates a velvet-like appearance.
Terms
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email loebcollections@vassar.edu
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