Object number2019.24.2
Get Ready
Date2006
Artist
Mary Lee Bendolph
(American, born 1935)
CultureAmerican
MediumSoft-ground etching with aquatint and spit-bite aquatine on paper
EditionEdition 36 of 50
DimensionsPlate: 24 3/4 x 32 7/8 in. (62.9 x 83.5 cm)
Sheet: 35 3/4 x 43 in. (90.8 x 109.2 cm)
Matted: 37 x 44 in. (94 x 111.8 cm)
Sheet: 35 3/4 x 43 in. (90.8 x 109.2 cm)
Matted: 37 x 44 in. (94 x 111.8 cm)
Credit LinePurchase, Betsy Mudge Wilson, class of 1956, Memorial Fund in honor of the 50th anniversary of the Africana Studies Program
Period21st c
Classification(s)
SignedOn recto, signed lower right margin in pencil: Mary Lee Bendolph
InscribedOn recto, by artist, lower right margin in pencil: 2006; lower center margin: GET Ready; lower left margin: 36/50
MarkingsOn recto, blindstamp of a printing press [Paulson Bott/Fontaine's stamp] lower right corner
Vassar Exhibitions
Exhibition HistoryPoughkeepsie, New York, The Frances Lehman Loeb Art Center, Vassar College, "In Translation: Prints Across Media," May 28 – September 18, 2022Label TextMary Lee Bendolph is a member of the Gee’s Bend quiltmaking collective based in Gee’s Bend, Alabama. Part of a tradition of quilt making by enslaved peoples stretching back to the 18th century, the Gee’s Bend Collective is known for vibrant, geometric compositions that have received widespread acclaim. Printer Renee Bott worked with members of the Collective to translate their textiles into print. They employed a soft-ground etching technique to imprint the fabric’s surface pattern onto the copper plate, which is etched when the plate is submerged in the acid bath. This technique denied the signature “hand” of the artist, bringing the print closer to the anonymity of historical women’s work.
- John P. Murphy
DescriptionAsymmetrical quilt pattern of large, bold interlocking geometric shapes in black, red, cream, salmon, green and gray on a white background.
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Félix Hilaire Buhot
1879-1880
Culture: French
