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Proposed Colossal Monument for End of Navy Pier, Chicago: Side-view Mirror
Proposed Colossal Monument for End of Navy Pier, Chicago: Side-view Mirror
Object number2008.27.17

Proposed Colossal Monument for End of Navy Pier, Chicago: Side-view Mirror

Date1967
Artist (American, 1929 - 2022)
CultureAmerican
MediumCrayon and wash on paper
DimensionsSheet: 7 1/4 x 9 5/8 in. (18.42 x 24.45 cm)
Credit LineGift of Leon Despres in memory of Marian Alschuler Despres, class of 1930
On View
Not on view
Period20th c
Classification(s)
InscribedAcross bottom; "Mirror on Navy Pier"
Label TextClaes Oldenburg, a key Pop Art figure in the United States, examined the humor and irony found in contradiction and disruption. Initially, in the early 1960s, he created painted plaster copies of everyday objects and explored performance art through his series of Happenings. After traveling abroad and moving into a large studio in New York City in 1965, Oldenburg became interested in monuments as a concept within the broader cityscape. In his Proposals project, he drafted scenes that introduced ordinary objects – made monumental in scale – into metropolitan landscapes. In this particular proposal, he places a car’s side-view mirror, scaled up, on Chicago’s Navy Pier. By placing such an object near the popular waterfront, its shining reflection could perhaps be useful for the river traffic, or instead, frustrating for land-dwellers. The purpose of such an installation could be seen as beneficial or obtrusive, representing Oldenburg’s understanding of the shift in the purpose of monuments; he explained that his proposals “reintroduce the idea of the monument as [...] disruption in the city.”
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email loebcollections@vassar.edu
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