Object number2003.49.3

Army service forces loading heavy equipment

Date1944

Artist Margaret Bourke-White (American, 1904-1971)

CultureAmerican

MediumGelatin silver print

DimensionsImage: 9 7/16 x 6 7/8 in. (24 x 17.5 cm)

Credit LineGift from the Michael and Joyce Axelrod collection (Joyce Jacobson, class of 1961) in honor of Howard Greenberg

On View

Not on view

Period20th c

Classification(s)

Photograph

InscribedOn verso, by unidentified hand, right half in pencil: Photo #733794 / ARMY SERVICE FORCES / LOADING HEAVY EQUIPMENT / 74/B; lower center edge: MB 104

MarkingsOn verso, stamped upper right in blue ink: 13530; stamped right edge in red ink: LIFE PICTURE COLLECTION; stamped center: 15 * JAN 1944; stamped in blue ink: LIFE PHOTO BY / MARGARET BOURKE-WHITE

Vassar Exhibitions

Women at Work: Photography and Labor

Label TextMargaret Bourke-White is recognized as the first American woman to work as a wartime photojournalist. Born in 1904, Bourke-White studied at Cornell University at a time when access to education was limited for women and usually available only to white women of economic privilege. Shortly after graduating in 1927, Bourke-White opened a commercial photography studio in Cleveland, Ohio, where she made a living as a photographer—another rarity for the time. In 1930, Bourke-White became the first Western photographer allowed into the Soviet Union. She traveled overseas again in 1941, first to the Soviet Union, then as a war correspondent for the United States, accompanying the U.S. Air Force and Army across North Africa and Europe. Bourke-White photographed amidst perilous conditions, earning the nickname “Maggie the Indestructible.” After World War II, Bourke-White traveled across Europe, capturing the devastating impacts of war on people and their homes. She later covered the Korean War and partition violence between India and Pakistan, photographing Mahatma Gandhi hours before his assassination. Throughout her prolific career, Bourke-White continuously defied oppressive gender stereotypes and social prescriptions in times of war and peace. Julia Pippenger ’25

DescriptionBlack and white image of a series of identical machinery vehicles lined up in the lower foreground. A man sits atop one beam in the background and another stands on the machinery in the foreground with is back towards the camera.

Terms

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email loebcollections@vassar.edu